IOSYS_toho5_TabooTearsYouUp.swf
(music video - IOSYS - Touhou)
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This will hopefully be a shorter post than my day 1 report, since fewer interesting things happened. It was still kind of a trainwreck though.
I didn’t have very many clear goals for the day, since most of the Touhou stuff I like is either by guys that didn’t show up or the official games, and everything else is roughly a neat distraction. I did want to get the
Nico Year In Review: 2008
Written by Jeshii on December 31, 2008 – 3:00 pm -
No, I’m not going to talk about the new features, version updates, legal battles, or any of that today. My ニコニコ動画 (NicoNicoDouga) Year in Review is solidly about the videos. Though I really didn’t start watching ニコ動 (NicoDou) until this year and 2007 also had some fantastic videos, I’m sticking to 2008 videos only! So, without further ado, here are my favorite top 13 nicovideos of the year! 13?! Yeah, I just couldn’t get it down to 10! XD
13.
By TheBigN
Part 1: Interesting People
This year was insane with the amount of anime openings and endings that I liked, and it was hard to narrow down the amount to a “reasonable” number… so I didn’t really attempt to. But these ones here (coupled with Youtube videos) are the ones that stick in my mind the most over the year visually, aurally, or both. That being said, there is a list of Honorable Mentions at the end of the post to include OP/EDs that were also good, but stuff I could easily leave as well. I’m much more critical of music than I am of anime, but doesn’t mean that I have standards.
-ARIA The ORIGINATION ED - “Kin no Nami Sen no Nami”, Akino Arai
A great departure from the previous EDs done by ROUND TABLE feat. Nino and the ARIA seiyuu, and IMO the best ED song of all the series. Arai’s voice, as soft and flowing as I remember it, definitely encompasses the feel of Neo Venezia that I get from ARIA: Calming, smooth, ethereal, beautiful and wonderful. Getting an idea how how Akari sees Neo Venezia helps as well. Favorite parts of the video: Akari looking through the multi-colored stone, the shots of her dear friends, and the rainbow over the lone undine rowing along the water.
-Spice and Wolf OP - “Tabi no Tochuu”, Kiyoura Natsumi
My favorite OP of the year song-wise, it had me at Natsumi’s first vocals. It has a simple, waltz-like melody (helps that the song has a ¾ time signature, or so I’d like to think) that I usually catch myself singing along with as it plays, especially at the chorus with the male accompaniment. It tells a story of a journey with and unknown destination (duh), coupled with the visuals that basically explain how Horo and Lawrence meet, partner up, and continue on this intriguing journey. The combo rouses me, making me want to join up with them on their journey. Favorite parts of the video: Yay beginning snowfall, Lawrence looking a little disturbed while Horo slyly grins just before the chorus, Horo flicking her hidden tail while she and Lawrence stand together, the handshake.
-Gunslinger Girl - Il Teatrino OP - “Tatta Hitotsu no Omoi”, KOKIA
Regardless of what people might think about the second season of the show (it’s not actually that bad, despite it’s radically different appearance), I wouldn’t think that people would be bugged that much by the OP, at least song-wise, though it’s no Delgados (as digitalboy might complain about). The dual vocals I hear from KOKIA help keep the tension and seriousness of the song ramped up as they go towards the chorus with determination, and I enjoy that. Of the two versions of the OP video (changes halfway for those who haven’t watched it), I prefer the second one, as though the first one is an interesting usage of montage and real life, it didn’t really explain what the show was about. Favorite parts of the video: Rico’s leap from roof to roof, Angelica’s footsteps, the dichotomy between Pinocchio’s and Triela’s upbringing, and the final faceoff between the two.
-Allison & Lillia OP - “Tameiki no Hashi”, Kuricoder Quartet & Yukawa Shione
The Kuricoder Quartet (seems quite a fun departure from the Kuricoder Orchestra for Azumanga Daioh) work well in making Shione’s vocals more like a folk song from times gone by. The vocals themselves are nice enough to me on their own though, but the instrumentation helps keep them from flying away, if that makes any sense. The visuals of our main pairs of protagonists for both halves flying around in their planes provide a nice backdrop for the song, but only at the end of the first version where we see Allison and Will admiring the scenery does it click in my head.
-Macross Frontier ED - “Diamond Crevasse”, May’n
This is my favorite of the OP/EDs of the show, which was no contest in my opinion (though “Aimo” is still <3). I felt that Sheryl Nome bringing the audience home after all the action and antics that happened in the episode was great, making for an awesome closer. And I feel that the chorus just brings the house down, also providing a fitting coda to Yoko Kanno’s masterful work on the OST. It’s just “Go Home People” after that. :3 Favorite part of the video: the ending shot, which was great on episode 7 (I believe), since it ends up being the last shot of her powerful concert on Frontier.
-Kamen no Maid Guy ED - “Wakugai!!”, Yoshiki Fukuyama
Hearing this, I couldn’t help but imagine Basara rocking out to it, since Fukuyama is his singing voice for Macross 7. That aside, the pulsing song starts off strong from the initial drumbeat (or just from Kogarashi’s declaration with awesome screech at the end), and it never lets up. Just as our awesome Maid Guy never lets up on Naeka or Fubuki in the awesome ED video. Favorite parts of the video: the frightened pair running away from Kogarashi to the beat, their frightened faces cornered by his insanity near the end, and Kogarashi triumphant at the end.
-Kyouran Kazoku Nikki OP - “Chousai Kenbo Sengen”, MOSAIC.WAV
I’ve only really gotten into MOSAIC.WAV within the past year of so, but I’ve been liking a lot of their more recent stuff they’ve pumped out for anime, and this is an example. The pumping Akiba-Pop coupled with the waves of quickly spoken words throughout the sung vocals greatly demonstrates the hyper mood of the show, especially with the accompanying animation, which is one of my favorites of the year. The combo is probably a good representation of Kyouka’s decree to overload the world with frenzy, especially with her different declarations at the end of the OP in every episode. Favorites parts of the video: Umm, everything? Especially the intro with the mini-Kyouka’s introducing a Kyouka on the world, Kyouka parachuting onto Ouka’s head, the Midarezaki family getting ready to rumble, everyone pointing, from the running away of Ginka, Chika and Ouka from Kyouka to the end of the video.
-Soul Eater OP 1 - “resonance”, T.M. Revolution
It’s been a while since I’ve heard T.M. Revolution as such in anime, and it was great to hear him again for this first OP. But the video takes precendence to me, as I loved the kinetic camerawork throughout, the stylized nature everywhere and everything, and how there was always some form of movement present by anyone of the characters. Favorite parts: Ummm everything? Specifically, the zoom out from the moon to the main characters stopping at Maka and Soul walking, Shinigami-san’s hand movements (Baka-Raptor doing it was a good moment for me), Medusa’s dancing Soul Eater punching the camera away, and Maka and Soul fighting (yay).
-Hidamari Sketch x365 OP - “? de Wasshoi”, Kana Asumi, Kaori Mizuhashi, Yuuko Goto and Ryouko Shintani
Happy Happy Hidamari. I don’t feel like I need to say anything more about the song. Favorite parts of the video: It’s Hidamari Sketch. Everything to me.
Tags ( music video - IOSYS - Touhou ) for IOSYS_toho5_TabooTearsYouUp.swf :
IOSYS_toho5_TabooTearsYouUp.swf is tagged as music video and it means it's longer than "normal" flashes. Music videos are often called promo videos or simply promos, due to the fact that they are usually promotional devices.
Music videos have nice music (check comments) and some sort of animation. Usually music videos are made to be fun, but there is also not so funny ones. You can download music videos from "download" link. Downloading this music video is totally free.
One popular trend is to remix video clips from computer games, commercials, films, cartoons, and other sources. Among the techniques used are to rearrange clips to change dialog, slowing or speeding some parts, adding taboo sexually suggestive phrases, and/or repeating infectious lines.
IOSYS_toho5_TabooTearsYouUp.swf is somewhat related to IOSYS:
IOSYS are a Japanese musical ensemble and dōjin circle from Sapporo, Japan. The group produced the majority of remixed music from the Touhou Project series of dōjin games. IOSYS are generally best known for the Flash movies that go along with their songs, the most widely known of which are "Stops at the diseased part and melts quickly ~ Lunatic Undongein (患部で止まってすぐ溶ける ~ 狂気の優曇華院 kanbu de tomatte sugu tokete ~ kyōki undongein?)" and "Marisa stole the precious thing", both of which are popular on the Japanese Internet forum 2channel, Nico Nico Douga and in other otaku internet circles.
IOSYS_toho5_TabooTearsYouUp.swf is Touhou flash. The Touhou Project (東方Project Tōhō Purojekuto?), also known as Toho Project or Project Shrine Maiden, is a series of manic shooters made by Team Shanghai Alice whose sole member is Japanese game maker ZUN, who does all the graphics, music, and programming.[1] The Touhou Project began in 1996 with the release of the first game, Highly Responsive to Prayers, developed by the group Amusement Makers for the Japanese NEC PC-9801 series of computers. The next four Touhou games released between August 1997 and December 1998 also were released on the NEC PC-9801. The Touhou Project was inactive for the next three and half years until the first Microsoft Windows Touhou game, The Embodiment of Scarlet Devil, was released in August 2002 solely by ZUN after he split from Amusement Makers and started Team Shanghai Alice. As of August 2008, five more games in the main Touhou series have been produced by ZUN, along with two games made in conjunction with Twilight Frontier, and a spin-off by ZUN entitled Shoot the Bullet.
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